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The Great New England Vampire Pandemic


Her name was Mercy Brown and people were swearing that she was still alive even after she had been buried in the local church graveyard.

Children playing near a hillside gravel mine found the first graves. One ran home to tell his mother, who was skeptical at first—until the boy produced a skull
Because this was Griswold, Connecticut, in 1890, police initially thought the burials might be the work of a local serial killer named Michael Ross, and they taped off the area as a crime scene. But the brown, decaying bones turned out to be more than a century old. The Connecticut state archaeologist, Nick Bellantoni, soon determined that the hillside contained a colonial-era farm cemetery. New England is full of such unmarked family plots, and the 29 burials were typical of the 1700s and early 1800s: The dead, many of them children, were laid to rest in thrifty Yankee style, in simple wood coffins, without jewelry or even much clothing, their arms resting by their sides or crossed over their chests.

Except, that is, for Burial Number 4.


Bellantoni was interested in the grave even before the excavation began. It was one of only two stone crypts in the cemetery, and it was partially visible from the mine face.

Scraping away soil with flat-edged shovels, and then brushes and bamboo picks, the archaeologist and his team worked through several feet of earth before reaching the top of the crypt. When Bellantoni lifted the first of the large, flat rocks that formed the roof, he uncovered the remains of a red-painted coffin and a pair of skeletal feet. They lay, he remembers, “in perfect anatomical position.” But when he raised the next stone, Bellantoni saw that the rest of the individual “had been com­pletely...rearranged.” The skeleton had been beheaded; skull and thighbones rested atop the ribs and vertebrae. “It looked like a skull-and-crossbones motif, a Jolly Roger. I’d never seen anything like it,” Bellantoni recalls.

Subsequent analysis showed that the beheading, along with other injuries, including rib fractures, occurred roughly five years after death. Somebody had also smashed the coffin.

The other skeletons in the gravel hillside were packaged for reburial, but not “J.B.,” as the 50ish male skeleton from the 1830s came to be called, because of the initials spelled out in brass tacks on his coffin lid. He was shipped to the National Museum of Health and Medicine, in Washington, D.C., for further study. Meanwhile, Bellantoni started networking. He invited archaeologists and historians to tour the excavation, soliciting theories. Simple vandalism seemed unlikely, as did robbery, because of the lack of valuables at the site.

Finally, one colleague asked: “Ever heard of the Jewett City vampires?”

In 1854, in neighboring Jewett City, Connecticut, townspeople had exhumed several corpses suspected to be vampires that were rising from their graves to kill the living. A few newspaper accounts of these events survived. Had the Griswold grave been desecrated for the same reason?

In the course of his far-flung research, Bellantoni placed a serendipitous phone call to Michael Bell, a Rhode Island folklorist, who had devoted much of the previous decade to studying New England vampire exhumations. The Griswold case occurred at roughly the same time as the other incidents Bell had investigated. And the setting was right: Griswold was rural, agrarian and bordering southern Rhode Island, where multiple exhumations had occurred. Many of the other “vampires,” like J.B., had been disinterred, grotesquely tampered with and reburied.
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0 | 0 Comments | Feb 26th 2015 21:06

Historical Vampires


Vampires are a perennial favorite around Halloween, but they can be found year-round in movies and on television, in books and on blogs. The public's thirst for vampires seems as endless as vampires' thirst for blood. Modern writers of vampire fiction, including Stephenie Meyer, Anne Rice, Stephen King and countless others, have a rich vein of vampire lore to draw from. But where did the vampires come from?


The most famous vampire is, of course, Bram Stoker's Dracula, though those looking for a historical "real" Dracula often cite Romanian prince Vlad Tepes (1431-1476), after whom Stoker is said to have modeled some aspects of his Dracula character. The characterization of Tepes as a vampire, however, is a distinctly Western one; in Romania, he is viewed not as a blood-drinking sadist but as a national hero who defended his empire from the Ottoman Turks.

The vampires most people are familiar with (such as Dracula) are revenants — human corpses that are said to return from the grave to harm the living; these vampires have Slavic origins only a few hundred years old. But other, older, versions of the vampire were not thought to be human at all but instead supernatural, possibly demonic, entities that did not take human form.

Matthew Beresford, author of "From Demons to Dracula: The Creation of the Modern Vampire Myth" (Reaktion, 2008), notes, "There are clear foundations for the vampire in the ancient world, and it is impossible to prove when the myth first arose. There are suggestions that the vampire was born out of sorcery in ancient Egypt, a demon summoned into this world from some other." There are many variations of vampires from around the world. There are Asian vampires, such as the Chinese jiangshi (pronounced chong-shee), evil spirits that attack people and drain their life energy; the blood-drinking Wrathful Deities that appear in the "Tibetan Book of the Dead," and many others.

Identifying vampires
While most people can name several elements of vampire lore, there are no firmly established characteristics. Some vampires are said to be able to turn into bats or wolves; others can't. Some are said not to cast a reflection, but others do. Holy water and sunlight are said to repel or kill some vampires, but not others. The one universal characteristic is the draining of a vital bodily fluid, typically blood. One of the reasons that vampires make such successful literary figures is that they have a rich and varied history and folklore. Writers can play with the "rules" while adding, subtracting or changing them to fit whatever story they have in mind.

Finding a vampire is not always easy: according to one Romanian legend you'll need a 7-year-old boy and a white horse. The boy should be dressed in white, placed upon the horse, and the pair set loose in a graveyard at midday. Watch the horse wander around, and whichever grave is nearest the horse when it finally stops is a vampire's grave — or it might just have something edible nearby; take your pick.

Interest and belief in revenants surged in the Middle Ages in Europe. Though in most modern stories the classic way to become a vampire is to be bitten by one, that is a relatively new twist. In his book "Vampires, Burial, and Death: Folklore and Reality" (Yale, 2008), folklorist Paul Barber noted that centuries ago, "Often potential revenants can be identified at birth, usually by some abnormality, some defect, as when a child is born with teeth. Similarly suspicious are children born with an extra nipple (in Romania, for example); with a lack of cartilage in the nose, or a split lower lip (in Russia) … When a child is born with a red caul, or amniotic membrane, covering its head, this was regarded throughout much of Europe as presumptive evidence that it is destined to return from the dead." Such minor deformities were looked upon as evil omens at the time.

The belief in vampires stems from superstition and mistaken assumptions about postmortem decay. The first recorded accounts of vampires follow a consistent pattern: Some unexplained misfortune would befall a person, family or town — perhaps a drought dried up crops, or an infectious disease struck. Before science could explain weather patterns and germ theory, any bad event for which there was not an obvious cause might be blamed on a vampire. Vampires were one easy answer to the age-old question of why bad things happen to good people.

Villagers combined their belief that something had cursed them with fear of the dead, and concluded that perhaps the recently deceased might be responsible, having come back from the graves with evil intent. Graves were unearthed, and surprised villagers often mistook ordinary decomposition processes for supernatural phenomenon. For example, though laypeople might assume that a body would decompose immediately, if the coffin is well sealed and buried in winter, putrefaction might be delayed by weeks or months; intestinal decomposition creates bloating which can force blood up into the mouth, making it look like a dead body has recently sucked blood. These processes are well understood by modern doctors and morticians, but in medieval Europe were taken as unmistakable signs that vampires were real and existed among them.

A skeleton buried in the cemetery of Vecchiano in Pisa showing a similar condition to the purported "Venetian vampire."
Credit: Antonio FornaciariView full size image
Vampire defense and protection
The best way to deal with vampires, of course, is to prevent them from coming back in the first place. A few centuries ago in Europe this was often accomplished by staking suspected vampires in their graves; the idea was to physically pin the vampire to the earth, and the chest was chosen because it's the trunk of the body. This tradition was later reflected in popular fiction depicting wooden stakes as dispatching vampires. There was no particular significance to using wood; according to folklore, vampires — like djinn (genies) and many other magical creatures — fear iron, so an iron bar would be even more effective than a wooden stake.

Other traditional methods of killing vampires include decapitation and stuffing the severed head's mouth with garlic or a brick. In fact, suspected vampire graves have been found with just such signs. According to a 2012 Live Science article, "The body of the woman was found in a mass grave on the Venetian island of Nuovo Lazzaretto. Suspecting that she might be a vampire, a common folk belief at the time, gravediggers shoved a rock into her skull to prevent her from chewing through her shroud and infecting others with the plague, said anthropologist Matteo Borrini of the University of Florence." Other researchers later challenged this interpretation, and suggested that the brick may not have been placed in the mouth after all, but instead was one of many bricks surrounding the body that merely fell there after burial. Whether that burial reflected an accused vampire or not, other graves are much clearer. In 2013, archaeologists in Bulgaria found two skeletons with iron rods through their chests; the pair are believed to have been accused vampires, according to an article in Archaeology magazine.

The skull of the "vampire of Venice," found in a mass grave with a brick stuck in its jaw.
Credit: Matteo BorriniView full size image
If your local villagers neglected to unearth and stake a suspected vampire and he or she has returned from the grave, there are steps you can take to protect yourself. The exact method varies around the world, but in some traditions the best way to stop a vampire is to carry a small bag of salt with you. If you are being chased, you need only to spill the salt on the ground behind you, at which point the vampire is obligated to stop and count each and every grain before continuing the pursuit. If you don't have salt handy, some say that any small granules will do, including birdseed or sand. Salt was often placed above and around doorways for the same reason.

Some traditions hold that vampires cannot enter a home unless formally invited in. This may have been an early form of the modern "stranger danger" warnings to children, a scary reminder against inviting unknown people into the house.

Credit: Ltshears | WikimediaView full size image
Real vampires
There are, of course, a few truly vampiric animals, including leeches, lampreys and vampire bats. And in all these cases the vampire's intent is to draw enough blood for sustenance, but not enough to kill the host.

But what about human vampires? There are certainly many self-identified vampires who participate in gothic-inspired subcultures. Some host vampire-themed book clubs or secret bloodletting rituals; others wear capes or get vampire-fang dental implants. It's all frightening and fun, but blood drinking is another matter entirely. The problem is that blood is toxic; because it is so rich in iron — and because the human body has difficulty excreting excess iron — anyone who consumes blood regularly runs a real risk of haemochromatosis (iron overdose), which can cause a wide variety of diseases and problems, including liver and nervous system damage.

In one form or another, vampires have been part of human culture and folklore in different forms for millennia, and the bloodsuckers show no signs of going away any time soon.
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0 | 0 Comments | Feb 26th 2015 20:48

Vampiric Virology (Vampirism as a virus)


Vampires are humans who have been infected with a complex, symbiotic virus that rewrites the genetic code of every nucleus in the body, resulting in countless alterations to their biological makeup. Changes in their brain chemistry and digestive system cause them to hunger for the blood of uninfected humans, and they will commit unspeakably violent acts to get it. They are also known for their enhanced physical capabilities, longevity and averse reaction to bright light and UV rays.
In 1616, Italian scientist Ludovico Fatinelli published his Treatise on Vampires, in which he speculated that vampirism was caused by a microscopic pathogen, as opposed to demonic possession and other such myths. Tragically, he was burned at the stake for heresy, but his research lived on to inspire countless dedicated men and women to bring you the information included on this page.

The Virus
The source of vampirism is the human vampirism virus (HVV). Like rabies, HVV has a distinct bullet shape and belongs to the order Mononegavirales—viruses with a nonsegmented, negative-stranded RNA genome. The virus' natural host is a flea commonly found on cave-dwelling bats—most notably the vampire bat. In the most common scenario, the flea bites a bat, which in-turn passes the virus on to humans and other mammals.
While most viruses are highly specific in what tissues they target, HVV is able to infect every living cell in the body, with the exception of red blood cells (which are replaced over time by the infected bone marrow). It's also much less destructive, as it can effectively transform tissues without killing them.

In theory, HVV infection is possible through any exchange of bodily fluids; however, transmission occurs through the bite of an infected person or animal in virtually every case. Thankfully, the virus isn't airborne.

Stage One: Infection. Within six to twelve hours of exposure, the victim develops a headache, fever, chills and other flu-like symptoms, as well as a drastic increase in metabolism and heart rate as the virus spreads throughout the body. These symptoms can be easily confused with more common infections, although the presence of bite marks is usually enough to confirm the diagnosis. This stage generally lasts another six to twelve hours, during which the vaccine is 99 percent effective. The victim should also be treated with fluids and antibiotics.

Stage Two: Coma.Within 24 hours of exposure, the victim will slip into a vampiric coma. About 12 hours into this phase, the pulse slows, breathing is shallow and the pupils are dilated. Thousands have been buried alive because of this. While it is commonly thought that anyone infected with HVV turns into a vampire, in fact only a small percentage of people survive vampiric comas. Generally, the young, old and feeble never come out of their comas and eventually die, while the vast majority of survivors are males between the ages of 18 to 35. Vampiric comas last about a day, and usually end the night after their onset. The vaccine is roughly 50 percent effective when administered during Stage Two of the infection: the longer the victim has been in the coma, the less effective the vaccine.

Stage Three: Transformation. An HVV victim who survives the coma will awaken fully transformed into a vampire. An acclimation period follows, characterized by confusion, despondency and paranoia, accompanied by the pain of dehydration and malnutrition. Most vampires begin to hunt within 24 hours of transformation. The vaccine is of no use at this point, as all virus activity has gone dormant.
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0 | 0 Comments | Feb 26th 2015 20:46

The First Vampire


Until recently, we didn't know a lot about the history of vampires.

Despite being one of the oldest and most prevalent creatures of world mythology, the origin of vampires has remained unknown for thousands of years. It wasn't until the Scriptures of Delphiwere found that we were given a glimpse into the early vampire history.



Making The First Vampire


Only a vampire can create another vampire, so logic tells us that the history of vampires begins with a single vampire who created the others. Much like the chicken-and-the-egg argument, we had little insight into how the first vampire came about until recently. Logically, if there was no vampire to make the first vampire, how was the first vampire made?

The answer lies in the Scriptures of Delphi, specifically in the collection of writings known as "The Vampire Bible".

The first vampire started out as not a vampire at all, but as a human man named Ambrogio. He was an Italian-born adventurer who fate brought to Delphi, in Greece. You can read the full story here, but in a nutshell a series of blessings and curses transformed this young man into history's first vampire.

Specifically, it began with the sun god Apollo (Greek mythology), who in a fit of rage cursed Ambrogio so that his skin would burn should it ever touch sunlight again. Ambrogio's bad luck followed when he ended up gambling away his soul to Hades (Greek mythology), the god of the underworld. The next curse came via Apollo's sister Artemis (Greek mythology), the goddess of the moon and hunting, who made it so that Ambrogio's skin would burn if he touched silver.

The blessings came soon after when Artemis, taking pity on the poor young man, gave him the gift of immortality. He would carry his curses - his skin burning by sunlight or silver, but he would live forever in his current form. Not only that, but Artemis also gave him the speed and strength to become a hunter whose skills were second only to her own.

Blood-sucking (which, by the way, is called "hematophagy" in case you were curious) is also included in this "blessing". In the vampire origin story, Ambrogio hunts swans and uses their blood as ink to write love poems to his lady Selene. While this may be considered a little creepy by our standards, it wasn't all that unusual in ancient Greece to make do with what you hunted.
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0 | 0 Comments | Feb 26th 2015 20:39

Vlad Tepes The Real Count Dracula and in the media


Vlad III, Prince of Wallachia (1431–1476/77), was a member of the House of Drăculești, a branch of the House of Basarab, also known, using his patronymic, as (Vlad) Drăculea or (Vlad) Dracula.

He was posthumously dubbed Vlad the Impaler (Romanian: Vlad Țepeș, pronounced [ˈvlad ˈt͡sepeʃ]), and was a three-time Voivode of Wallachia, ruling mainly from 1456 to 1462, the period of the incipient Ottoman conquest of the Balkans. His father, Vlad II Dracul, was a member of the Order of the Dragon, which was founded to protect Christianity in Eastern Europe. Vlad III is revered as a folk hero in Romania as well as other parts of Europe for his protection of the Romaniansboth north and south of the Danube. A significant number of Romanian common folk and remaining boyars (nobles) moved north of the Danube to Wallachia, recognized his leadership and settled there following his raids on the Ottomans.

As the cognomen "The Impaler" suggests, his practice of impaling his enemies is part of his historical reputation. During his lifetime, his reputation for excessive cruelty spread abroad, to Germany and elsewhere in Europe. The name of the vampire Count Dracula in Bram Stoker's 1897 novel Dracula was inspired by Vlad's last name.

Few names have cast more terror into the human heart than Dracula. The legendary vampire, created by author Bram Stoker in his 1897 novel of the same name, has inspired countless horror movies, television shows and other bloodcurdling tales of vampires.

Though Dracula is a purely fictional creation, Stoker named his infamous character after a real person who happened to have a taste for blood: Vlad III, Prince of Wallachia or — as he is better known — Vlad the Impaler. The morbid nickname is a testament to the Wallachian prince's favorite way of dispensing with his enemies.

But other than having the same name, the two Draculas don't really have much in common, according to historians who have studied the link between Stoker's vampire count and Vlad III.

The Real Dracula

By most accounts, Vlad III was born in 1431 in what is now Transylvania, the central region of modern-day Romania. However, the link between Vlad the Impaler and Transylvania is tenuous, according to Florin Curta, a professor of medieval history and archaeology at the University of Florida.

"[Stoker's] Dracula is linked to Transylvania, but the real, historic Dracula — Vlad III — never owned anything in Transylvania," Curta told Live Science. Bran Castle, a modern-day tourist attraction in Transylvania that is often referred to as Dracula's castle, was never the residence of the Wallachian prince, he added.

"Because the castle is in the mountains in this foggy area and it looks spooky, it's what one would expect of Dracula's castle," Curta said. "But he [Vlad III] never lived there. He never even stepped foot there."

Vlad III's father, Vlad II, did own a residence in Sighişoara, Transylvania, but it is not certain that Vlad III was born there, according to Curta. It's also possible, he said, that Vlad the Impaler was born in Târgovişte, which was at that time the royal seat of the principality of Wallachia, where his father was a "voivode," or ruler.

In 1431, King Sigismund of Hungary, who would later become the Holy Roman Emperor, inducted the elder Vlad into a knightly order, the Order of the Dragon. This designation earned Vlad II a new surname: Dracul. The name came from the old Romanian word for dragon, "drac." His son, Vlad III, would later be known as the "son of Dracul" or, in old Romanian, Drăculea, hence Dracula. In modern Romanian, the word "drac" refers to another feared creature — the devil, Curta said.

The Order of the Dragon was devoted to a singular task: the defeat of the Turkish, or Ottoman Empire. Situated between Christian Europe and the Muslim lands of the Ottoman Empire, Vlad II's (and later Vlad III's) home principality of Wallachia was frequently the scene of bloody battles as Ottoman forces pushed westward into Europe, and Christian forces repulsed the invaders.

Years of captivity
When Vlad II was called to a diplomatic meeting in 1442 with Sultan Murad II, he brought his young sons Vlad III and Radu along. But the meeting was actually a trap: All three were arrested and held hostage. The elder Vlad was released under the condition that he leave his sons behind.

"The sultan held Vlad and his brother as hostages to ensure that their father, Vlad II, behaved himself in the ongoing war between Turkey and Hungary," said Elizabeth Miller, a research historian and professor emeritus at Memorial University of Newfoundland in Canada.

Under the Ottomans, Vlad and his younger brother were tutored in science, philosophy and the arts. Vlad also became a skilled horseman and warrior, according to Radu Florescu and Raymond McNally, former professors of history at Boston College, who wrote several books about Vlad III — as well as his alleged connection to Stoker's Dracula — in the 1970s and 1980s.

"They were treated reasonably well by the current standards of the time," Miller said. "Still, [captivity] irked Vlad, whereas his brother sort of acquiesced and went over on the Turkish side. But Vlad held enmity, and I think it was one of his motivating factors for fighting the Turks: to get even with them for having held him captive."

Vlad the Prince
While Vlad and Radu were in Ottoman hands, Vlad's father was fighting to keep his place as voivode of Wallachia, a fight he would eventually lose. In 1447, Vlad II was ousted as ruler of Wallachia by local noblemen (boyars) and was killed in the swamps near Bălteni, half way between Târgovişte and Bucharest in present-day Romania. Vlad's older half-brother, Mircea, was killed alongside his father.

Not long after these harrowing events, in 1448, Vlad embarked on a campaign to regain his father's seat from the new ruler, Vladislav II. His first attempt at the throne relied on the military support of the Ottoman governors of the cities along the Danube River in northern Bulgaria, according to Curta. Vlad also took advantage of the fact that Vladislav was absent at the time, having gone to the Balkans to fight the Ottomans for the governor of Hungary at the time, John Hunyadi.

Vlad won back his father's seat, but his time as ruler of Wallachia was short-lived. He was deposed after only two months, when Vladislav II returned and took back the throne of Wallachia with the assistance of Hunyadi, according to Curta.

Little is known about Vlad III's whereabouts between 1448 and 1456. But it is known that he switched sides in the Ottoman-Hungarian conflict, giving up his ties with the Ottoman governors of the Danube cities and obtaining military support from King Ladislaus V of Hungary, who happened to dislike Vlad's rival — Vladislav II of Wallachia — according to Curta.

Vlad III’s political and military tack truly came to the forefront amid the fall of Constantinople in 1453. After the fall, the Ottomans were in a position to invade all of Europe. Vlad, who had already solidified his anti-Ottoman position, was proclaimed voivode of Wallachia in 1456. One of his first orders of business in his new role was to stop paying an annual tribute to the Ottoman sultan — a measure that had formerly ensured peace between Wallachia and the Ottomans.


Vlad the Impaler
To consolidate his power as voivode, Vlad needed to quell the incessant conflicts that had historically taken place between Wallachia's boyars. According to legends that circulated after his death, Vlad invited hundreds of these boyars to a banquet and — knowing they would challenge his authority — had his guests stabbed and their still-twitching bodies impaled on spikes.

This is just one of many gruesome events that earned Vlad his posthumous nickname Vlad the Impaler. This story — and others like it — is documented in printed material from around the time of Vlad III's rule, according to Miller.

"In the 1460s and 1470s, just after the invention of the printing press, a lot of these stories about Vlad were circulating orally, and then they were put together by different individuals in pamphlets and printed," Miller said.

Whether or not these stories are wholly true or significantly embellished is debatable, Miller added. After all, many of those printing the pamphlets were hostile to Vlad III. But some of the pamphlets from this time tell almost the exact same gruesome stories about Vlad, leading Miller to believe that the tales are at least partially historically accurate. Some of these legends were also collected and published in a book, "The Tale of Dracula," in 1490, by a monk who presented Vlad III as a fierce, but just ruler.

Vlad is credited with impaling dozens of Saxon merchants in Kronstadt (present-day Braşov, Romania), who were once allied with the boyars, in 1456. Around the same time, a group of Ottoman envoys allegedly had an audience with Vlad but declined to remove their turbans, citing a religious custom. Commending them on their religious devotion, Vlad ensured that their turbans would forever remain on their heads by reportedly having the head coverings nailed to their skulls.

"After Mehmet II — the one who conquered Constantinople — invaded Wallachia in 1462, he actually was able to go all the way to Wallachia's capital city of Târgoviște but found it deserted. And in front of the capital he found the bodies of the Ottoman prisoners of war that Vlad had taken — all impaled," Curta said.

Vlad's victories over the invading Ottomans were celebrated throughout Wallachia, Transylvania and the rest of Europe — even Pope Pius II was impressed.

"The reason he's a positive character in Romania is because he is reputed to have been a just, though a very harsh, ruler," Curta said.

Vlad's death
Not long after the impalement of Ottoman prisoners of war, in August 1462, Vlad was forced into exile in Hungary, unable to defeat his much more powerful adversary, Mehmet II. Vlad was imprisoned for a number of years during his exile, though during that same time he married and had two children.

Vlad's younger brother, Radu, who had sided with the Ottomans during the ongoing military campaigns, took over governance of Wallachia after his brother's imprisonment. But after Radu's death in 1475, local boyars, as well as the rulers of several nearby principalities, favored Vlad’s return to power.

In 1476, with the support of the voivode of Moldavia, Stephen III the Great (1457-1504), Vlad made one last effort to reclaim his seat as ruler of Wallachia. He successfully stole back the throne, but his triumph was short-lived. Later that year, while marching to yet another battle with the Ottomans, Vlad and a small vanguard of soldiers were ambushed, and Vlad was killed.

There is much controversy over the location of Vlad III's tomb. It is said he was buried in the monastery church in Snagov, on the northern edge of the modern city of Bucharest, in accordance with the traditions of his time. But recently, historians have questioned whether Vlad might actually be buried at the Monastery of Comana, between Bucharest and the Danube, which is close to the presumed location of the battle in which Vlad was killed, according to Curta.

One thing is for certain, however: unlike Stoker's Count Dracula, Vlad III most definitely did die. Only the harrowing tales of his years as ruler of Wallachia remain to haunt the modern world.

Vampire mythology

The connection of the name "Dracula" with vampirism was made by Bram Stoker around the 1890s. Since then, "Count Dracula" has been a recurring character in vampire mythology and media.

_______________________________________________________________

Stoker's version of the Tale

Stoker’s creation
Bram Stoker's novel takes the form of an epistolary tale, in which Count Dracula's characteristics, powers, abilities and weaknesses are narrated by multiple narrators, from different perspectives.

Count Dracula is a centuries-old vampire, and Transylvanian nobleman, who claims to be a Székely descended from Attila the Hun. He inhabits a decaying castle in the Carpathian Mountains near the Borgo Pass. Unlike the vampires of Eastern European folklore, which are portrayed as repulsive, corpse-like creatures, Dracula exudes a veneer of aristocratic charm. In his conversations with Jonathan Harker, he reveals himself as deeply proud of his boyar heritage and nostalgic for the past times, which he admits have become only a memory of heroism, honor and valor in modern times.

Details of his early life are obscure, but it seems that Dracula studied the black arts at the academy of Scholomance in the Carpathian Mountains, overlooking the town of Sibiu (also known as Hermannstadt) and became proficient in alchemy and magic.Taking up arms, as befitting his rank and status as a voivode, he led troops against the Turks across the Danube. According to Van Helsing, "He must indeed have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land. If it be so, then was he no common man: for in that time, and for centuries after, he was spoken of as the cleverest and the most cunning, as well as the bravest of the sons of the land beyond the forest."Dead and buried in a great tomb in the chapel of his castle, Dracula returns from death as a vampire and lives for several centuries in his castle with three terrifyingly beautiful female vampires beside him. Whether they be his lovers, sisters, daughters, or vampires made by him is not made clear in the narrative.


Max Schreck as Count Orlok, the first confirmed cinematic representation of Dracula.
As the novel begins in the late 19th century, Dracula acts on a long contemplated plan for world domination, and infiltrates London to begin his reign of terror. He summons Jonathan Harker, a newly qualified English solicitor, to provide legal support for a real estate transaction overseen by Harker's employer. Dracula at first charms Harker with his cordiality and historical knowledge, and even rescues him from the clutches of the three female vampires in the castle. In truth, however, Dracula wishes to keep Harker alive long enough to complete the legal transaction and to learn as much as possible about England.

Dracula leaves his castle and boards a Russian ship, the Demeter, taking along with him boxes of Transylvanian soil, which he needs in order to regain his strength. During the voyage to Whitby, a coastal town in northern England, he sustains himself on the ship's crew members. Only one body is later found, that of the captain, who is found tied up to the ship's helm. The captain's log is recovered and tells of strange events that had taken place during the ship's journey. Dracula leaves the ship in the form of a dog.

Soon the Count is menacing Harker's fiancée, Wilhelmina "Mina" Murray, and her friend, Lucy Westenra. There is also a notable link between Dracula and Renfield, a patient in an insane asylum overseen by John Seward compelled to consume insects, spiders, birds, and other creatures—in ascending order of size—in order to absorb their "life force". Renfield acts as a kind of sensor, reacting to Dracula's proximity and supplying clues accordingly. Dracula begins to visit Lucy's bed chamber on a nightly basis, draining her of blood while simultaneously infecting her with the curse of vampirism. Not knowing the cause for Lucy's deterioration, her three suitors call upon John Seward's mentor, the Dutch doctor Abraham Van Helsing. Van Helsing soon deduces her condition's supernatural origins, but does not speak out. Despite an attempt at keeping the vampire at bay with garlic, Dracula attacks Lucy's house one final time, leaving her mother dead and transforming Lucy herself into one of the undead.

After Lucy attacks several children, Van Helsing and Lucy's former suitors John Seward, Arthur Holmwood and Quincey Morris enter her crypt and kill her to save her soul. Later, Harker joins them and they enter Dracula's residences at Carfax and Piccadilly, destroying his boxes of earth, depriving the Count of his ability to rest. Dracula leaves England to return to his homeland, but not before biting Mina, largely out of spite for the heroes for their actions against him knowing that as long as he's alive, Mina is in danger of becoming a vampire herself. However this backfires on him as Helsing hypnotizes Mina and uses the supernatural link between Dracula and her to track him down.

The final section of the novel details the heroes racing Dracula back to Transylvania, and in a climactic battle with Dracula's gypsy bodyguards, finally destroying him. Despite the popular image of Dracula having a stake driven through his heart to kill him, Mina's narrative describes his throat being cut through by Jonathan Harker's kukri and his heart pierced by Morris' Bowie knife (Mina Harker's Journal, 6 November, Dracula Chapter 27). His body then turns into dust, but not before Mina Harker sees an expression of peace on Dracula's face.

Characteristics
Although early in the novel Dracula dons a mask of cordiality, he often flies into fits of rage when his plans are interfered with. When the three vampire women who live in his castle attempt to seduce Jonathan Harker, Dracula physically assaults one and ferociously berates them for their insubordination. He then relents and talks to them more kindly, telling them that he does indeed love each of them.

Dracula is very passionate about his warrior heritage, emotionally proclaiming his pride to Harker on how the Székely people are infused with the blood of heroes. He does express an interest in the history of the British Empire, speaking admiringly of its people. He has a somewhat primal and predatory worldview; he pities ordinary humans for their revulsion to their darker impulses.

Though usually portrayed as having a strong Eastern European accent, the original novel only specifies that his spoken English is excellent, though strangely toned.

His appearance varies in age. He is described early in the novel as thin, with a long white mustache, pointed ears and sharp teeth.[5] It is also noted later in the novel (Chapter 11 subsection "The Escaped Wolf") by a zookeeper that sees him that he has a hooked nose and a pointed beard with a streak of white in it. He is dressed all in black and has hair on his palms. Jonathan Harker described him as an old man, "cruel looking" and giving an effect of "extraordinary pallor".[6] When angered, the Count showed his true bestial nature, his blue eyes flaming red.

I saw... Count Dracula... with red light of triumph in his eyes, and with a smile that Judas in hell might be proud of.
— Jonathan Harker's Journal, Dracula, Chapter 4
As the novel progresses, Dracula is described as taking on a more and more youthful appearance.

Powers and weaknesses
Count Dracula is portrayed in the novel using many different supernatural abilities. He has superhuman strength which, according to Van Helsing, is equivalent to that of 20 strong men. He is immune to conventional means of attack and can only be killed by decapitation preceded by impalement through the heart. The Count does not have to seek victims regularly, and has the ability to remain inactive for centuries. The Count can defy gravity to a certain extent and possesses superhuman agility; being able to climb upside down vertical surfaces in a reptilian manner. He has powerful hypnotic and telepathic abilities, and is also able to command nocturnal animals such as bats and rats. Dracula can also manipulate the weather, usually creating mists to hide his presence, but also storms such as in his voyage in the Demeter. He can travel onto "unhallowed" ground such as the graves of suicides and those of his victims. He can shapeshift at will, his featured forms in the novel being that of a bat, a wolf, a large dog and fog. He is able to pass through tiny cracks or crevices while retaining his human form, described by Van Helsing as the ability to become "so small". He also has the ability to vanish and reappear somewhere else. He requires no other sustenance but fresh blood, which has the effect of rejuvenating him.

According to Van Helsing:

The Nosferatu do not die like the bees when they sting once. He is only stronger, and being stronger, have yet more power to work evil.

—Mina Harker's journal, Dracula, Chapter 18
One of Dracula's most mysterious powers is the ability to transfer his vampiric condition by biting others, who become the vampires after death. According to Van Helsing:

They cannot die, but must go on age after age adding new victims and multiplying the evils of the world. For all that die from the preying of the Un-dead become themselves Un-dead, and prey on their kind. And so the circle goes on ever widening, like as the ripples from a stone thrown in the water. Friend Arthur, if you had met that kiss which you know of before poor Lucy die, or again, last night when you open your arms to her, you would in time, when you had died, have become nosferatu, as they call it in Eastern europe, and would for all time make more of those Un-Deads that so have filled us with horror.

He slowly transforms Lucy into a vampire and, following her destruction, sets his sights on Mina. To punish Mina he forces her to drink his blood; this act gives him telepathic link to her thoughts, however this link is used against him, as Mina is able to predict his movements.

The sun that rose on our sorrow this morning guards us in its course. Until it sets to-night, that monster must retain whatever form he now has. He is confined within the limitations of his earthly envelope. He cannot melt into thin air nor disappear through cracks or chinks or crannies. If he go through a doorway, he must open the door like a mortal.

—Johnathan Harker's journal, Dracula, Chapter 22
Dracula's powers are not unlimited, however. He is much less powerful in daylight and is only able to shift his form at dawn, noon, and dusk (he can shift freely at night). The sun is not fatal to him, though, as sunlight does not burn and destroy him upon contact.

He is repulsed by garlic, crucifixes, and sacramental bread, and he can only cross running water at low or high tide. He is also unable to enter a place unless invited to do so; once invited, however, he can approach and leave the premises at will.

While universally feared by the local people of Transylvania and even beyond, he somehow commands the loyalty of gypsies and a band of Slovaks who transport his boxes on their way to London and to serve as an armed convoy bringing his coffin back to the Castle. The Slovaks and gypsies appear to know his true nature, for they laugh at Jonathan Harker, who tries to communicate his plight, and betray Harker's attempt to send a letter through them by giving it to the Count.

Count Dracula is depicted as the "King Vampire", and can control other vampires who were his own victims but also, as per the story "Dracula's Guest", those in farther away lands such as Styria who may or may not have been Dracula's victims. His death can release the curse on any living victim of eventual transformation into vampire. But Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina Harker further, she would transform into a vampire upon her eventual natural death.

He also requires Transylvanian soil to be nearby to him in order to successfully rest; otherwise, he will not be able to recover his strength. Dracula's powers and weaknesses vary greatly in the many adaptations. Previous and subsequent vampires from different legends have had similar vampire characteristics. And contrary to what is shown in that horrid movie Twilight,Vampires do not and never will sparkle.
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